Symposium “Mapping and evaluating research on Young people as Visual Culture Producers”

November 19th, 2013

The 1st International Symposium ” mor thN img cnsmrs: Mapping and evaluating research on Young people as Visual Culture Producers “ will take place in
Iruña-Pamplona over 22 – 23 November – 2013. It is Organized by the EDARTE (UPNA/NUP) Research Group (Dr. Imanol Aguirre) at the Departament of Psychology and Pedagogy at the Public University of Navarra funded by the Ministry of Science and Innovation – Government of Spain.

ABOUT THE SYMPOSIUM

The research group of the Public University of Navarre, EDARTE, announces the first International Symposium “mor thN img cnsmrs. Mapping and evaluating research on Visual Culture youth producers” which will take place in Pamplona on November 22-23, 2013.

Since 2010, EDARTE is developing the research project “Young People as Visual Culture Producers: Artistic Skills and Knowledge in Secondary Education” (EDU 2009-13712). Now, in the final stage of this study, we’ve considered necessary to organize a scientific encounter to share the results of our investigation with other international research groups that have worked on this field of study.

This meeting pursues a triple objective: First, to disseminate different studies on youth as visual culture producers that have been developed in the last five years in different parts of the world. Second, to enable the creation of a map of this area of study that will contribute to structure the field of research with other experts. Finally, to evaluate our own research project, its goals, its methods and results, comparing them with those obtained by the participant groups in their researches.

As we have explained, this is a meeting of invited experts, not open to paper submissions from other researchers. However, the participation of those people who want to join us in the symposium will be welcomed, especially in the debates that will take place after each of the presentations.

The debates will focus on the following questions:

Ethical and academic concerns in the research of/with the youth as VC producers.
Media education and the VC production of the youth.
Art education and VC in relation with the production of young people.
Museums as out-school settings in relation with the VC production of the youth.
Youth digital production and VC.
Skills/knowledges/saviors of young people.
School learning/researching experiences in relation with the production of VC

INVITED SPEAKERS

The studies to be presented in the talks have been selected for their scientific rigor and its relevance to the fields of education, arts, youth, or information technologies.

ponentes

PROGRAMME

VIERNES 22
09.15 – 09.30: Arrival.
09.30 – 09.40: Opening.
09.40 – 10.55: Conference: Kerry Freedman “Art Outside of School: Youth Visual Culture Learning Communities”
10.55 – 11:15: Coffee Break.
11:15 – 12.30: Conference: EDARTE “Saberes y lugares de la producción de cultura visual de los jóvenes”
12.30 -13.45: Conference: Crystle Martin “Fantasy Wrestling: Youth Digital Production and Visual Culture in a Competitive Fandom and Connected Learning Environment”
13.45 – 15.45: Lunch Break.
15.45 – 17.00: Conference: Daniela Reimann “Digital media in creative processes with young people in vocational preparation measures”
17.00 – 17.15: Coffee Break
17.15 – 18.30: Conference: Alfred Porres “9nubes. Nueve anotaciones flotantes en torno a la investigación con jóvenes como productores de cultura visual en contextos educativos”

SÁBADO 23
09.45 – 11.00: Conference: Vitus Vestergaard “Playing with the Camera – Creating with Each Other: Video Production and Collaborative Emergence in a Museum Setting”
11.00 – 11.20: Coffee Break.
11.20 – 12.35: Conference: Rachel Fender “Visual culture as living inquiry: looking at how young people reflect on, share and narrate their learning practices in and outside school”
12.35 – 13.50: Conference: Julian Sefton-Green “Critical synthesis of the different perspectives around media production, digital culture, youth participation and visual culture”
13.50 – 14.00: Closing and lunch time.

LANGUAGES
English will be the official language of the symposium. Bilingual simultaneous interpreting (English-Spanish-English) will be facilitated during the talks.

VENUE
Museum of Navarre (more info): Address: C/ Santo Domingo, 47, 31001 Pamplona

ATTENDEE REGISTRATION
Registration is free. Each attendee must register sending an e-mail with his/her name and surname to info@edarte.org.

Info via the symposium Website

Art and Robotics Workshop at IEEE International Conference on Robotics and Automation Karlsruhe ICRA 13

May 9th, 2013

ICRA 13 LOGO

art and robotics

Just a quick announcement – currently the IEEE International Conference on Robotics and Automation ICRA 2013, organised by the Institute for Anthropomatics at KIT, takes place in Karlsruhe, Germany. On May 10 a full day workshop on Art and Robotics: Freud’s Unheimlich and the Uncanny Valley will be held at the Kongresszentrum. See here for the programme, the list of speakers can be accessed here.

The Web stream of the main conference be accessed here.

ICRA13

photos/source via ICRA Website at ira13.org and http://uncannyvalley_icra2013.sssup.it/index.html

Hands-On-workshop “moves make music” at KIT

January 30th, 2013

WS moves make music

The research project MediaArt@Edu at KIT’s Institute of Vocational Education and General Education will be hosting the Hands-On workshop “moves make music” with the artist Onyx Ashanti over 27 to 28 February at KIT.

The workshop was developed in the framework of the BMBF research project InformAttraktiv of the “Digitale Media in Education” research group at the University of Bremen. It is part of the study profile on “artificial intelligence, cognition and robotics”, one of 3 study profiles in computer science in Bremen.

See here for Onyx Ashanti’s performance on the TED conference.

For further information please see here

Here is some information about Onyx Ashanti published on TED:

“Why you should listen to him:

Onyx Ashanti is a musician, geek, open-source advocate, Maker, collaborator … and we come back around again to musician. The intrumentation he has created fuses technique and technology into a full-body musical system, playable with hands, arms, mouth and body. As he says:

I am what can only be described as a cyborg musician. in other words, the music i create live, can not be replicated without technology. My music is called “Beatjazz.” It is a mix of sound design, live looping and jazz improvisation. My instrument of choice over the years has been a Yamaha Wind MIDI controller, but now the limitations have started to stunt the growth of this new form, so i designed an instrument that can take it into future.

He is now working on the next iteration of his instrument, codenamed Tron, and built around a helmet-mounted controller.”

WS moves make music

MediaArt@Edu – mentoring media and art education processes in vocational preparation

November 5th, 2012

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It has been silent here for a while, which has to do with the ongoing research and teaching activities related to new projects such as the research project „MediaArt@Edu“ (ACRONYM), which looks at artistic approaches to support media literacy of young people in vocational preparation and vocational orientation programs.
It aims to develop new concepts to enhance digital media skills of young people. The project is co-ordinated by the Karlsruhe Institute of Technology’s Institute of Vocational and General Education and realised in collaboration with the Center for Art and Media ZKM’s department of Museum Communication, the German Federal Agency of Employment Karlsruhe as well as the Hardtstiftung e.V. Karlsruhe, a youth welfare service for young women.

The project is funded for 3 years under the German research programme entitled „strengthening media skills for sustainable media education in vocational qualification” of the German Federal Ministry of Education and Research (BMBF).
It aims to scrutinize artistic approaches and new mentoring and portfolio concepts to be applied in media technology education with young participants of vocational preparation and vocational orientation programs. In vocational preparation measures outside of vocational schools, young people are prepared for work or to take up a formal vocational training place. They are placed in a transit situation, hoping to get employed in the future.
However, in the project, a new concept to support digital media literacy of young people is developed, tested and evaluated. It brings together concepts of art, technology and vocational education as well as a specific mentoring model including portfolio research books to improve processes of self-reflexion of the learners.

In the project students of pedagogy, vocational education, engineering pedagogy as well as art and technology education accompany the young participants of vocational preparation programs. We intend to realize an education-through-art approach to technology by means of introducing artistic processes with digital media as well as didactic concepts of art education to vocational preparation. By improving media literacy of the young participants, the project aims to motivate them imagining and shaping pathways towards their own vocational biography and a perspective of future employment.

For further information, the (German) Web site can be accessed at http://www.ibp.kit.edu/berufspaedagogik/media-art-edu.php
English information will be available soon as well.

BMBF

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The Culture of Digital Education: Innovation in Art, Design, Science and Technology Practices – Leonardo Electronic Almanac

July 24th, 2012

Call for Papers

The Culture of Digital Education: Innovation in Art, Design, Science
and Technology Practices – Leonardo Electronic Almanac

Senior Editors for this volume: Lanfranco Aceti, Nina Czegledy and Oliver Grau
Editor: Wendy Coones
Junior Editor: Manuelle Freire

In an era of fast technological growth and transforming art forms there is an increasing need for educational flexibility by academic
institutions. It is essential to keep in mind that the profile of higher education in the 21st century is going to be very different to
what it used to be.
What is our role in this changing environment and how do we proceed? Deliberations on the prevalent trends and the future of education indicate that “innovation” combined with breakthrough partnerships are considered keys to the future.
The Leonardo Electronic Almanac (LEA) is inviting proposals from academics, critical theorists and artists for this special issue investigating the changes and innovation in the new culture of digital education. Relevant areas of interest addressed by the issue’s contributors could include, but are by no means limited to:

• Education, art, science and technology
• Education and social media
• Innovation at the intersection of interdisciplinary teaching and learning practices
• Crisis in the digital classroom?
• e-learning: give me that video link of your recorded lecture and let me be!
• Learning and teaching in interdisciplinary and transdisciplinary practices
• Ownership and copyrights of learning materials
• Economic crisis and classroom crisis: rethinking the economy of learning
• Brain Gain/Brain Drain: who gains and looses in the contemporary classroom
• Emerging countries, emerging universities and emerging interdisciplinary practices
• Hacktivist class: the class as research center
• Hybrid educational models
• Tactical Media and its progeny
• Histories of classroom methodologies and contemporary innovative approaches

For further information please go to: http://www.leoalmanac.org/the-culture-of-digital-education-lea-call-for-papers/

Abstract deadline November 1, 2012

via Roger Malina /LEF

11th International Conference on Interaction Design and Children IDC in Bremen-

June 10th, 2012

The 11th International Conference on Interaction Design and Children IDC will take place over 12-15 June in Bremen – here is some information:

IDC logo

The 11th International Conference on Interaction Design and Children
In cooperation with the ACM (Association for Computing Machinery)
12-15 June 2012, Bremen, Germany

www.dimeb.de/idc2012

“The program of the IDC 2012 comprises a complete spectrum of events and sessions, exploring all fields in all aspects:
Workshops on cutting edge technologies such as digital fabrication and interactive technologies for children with special needs.
Two prestigious keynote speakers will provide a new perspective on issues of children’s socialisation to media from early on:

Keynote Speakers (confirmed):
Dr Shakuntala Banaji, The London School of Economics and Political Science
“Beyond Wild Dreams and High-Tech Fetishes: Learning about Media from Children in the Global South

Matthias Körnich, Westdeutscher Rundfunk, Commissioning Editor – Children and Family Programs
“Exploring the world with the mouse – A model for children’s media”

An excursion to the German Emigration Centre with special talk on migration
A panel of experts with debate the issue of interaction for children in the context of digital inclusion
And of course short paper poster sessions as well as demos

The sessions present new insights on
-Designing with Children,
-Experience Systems,
-Learning and Design Contexts,
-Interactive Technology for Algorithmic Thinking,
-Learning through Embodiment,
-Digital Story Telling and Evaluation

——————————————————–
CONFERENCE OVERVIEW
——————————————————–
Modern technologies are changing the way children play, learn, and live. New technologies have the potential to enhance communication,
collaboration, creativity, and reflective thinking among children. As in prior conferences, IDC 2012 continues the IDC tradition aiming/to understand children’s needs and how to design for them, by presenting and discussing the most innovative research in the field of interaction design for children, by exhibiting the most recent developments in design and design methodologies, and by gathering the leading minds in the field of interaction design for children./

As special themes, IDC 2012 would like to discuss childrens’ needs under the perspectives of pedagogical aspects in theory and
practise as well as children from diverse cultural backgrounds.

The design of digital and physical tools for children can benefit greatly from considering insights and knowledge based on educational theories. These theories can also inform the choices that have to be made regarding the learning settings and environments for the application of digital technologies.
Further, when designing digital media for and with children, the diversity of children should always be kept in mind. The encounter of children
of different cultural backgrounds as a consequence of migration is a source of chances but also problems. New technologies can be used for
addressing potential problems and creating new opportunities related to cultural diversity. This also includes the specific requirements
of young people in developing countries.

We would like to invite researchers to reflect upon methods, concepts, new technology, evaluation, and theoretical or practical issues concerning technology and children. We further ask authors to explicitly reflect on the purpose and the underlying values of their
work.” (via Bernd Robben)

On 13 June, the workshop session on “Digital Fabrication for Educational Contexts” takes place.

You might as well be interested in the FabEducation events and exhibitions to take place 15-17 June: “The new generation of creative and technophilic young talents represents one of the location factors of metropolitan regions and is a prerequisite of the development of future innovations.Not least because of this has the difficulty in finding young talent in the MINT- disciplines as well as the safeguarding of skilled labour become a major issue of current interest”

fabeducation.net

image source via www.fabeducation.net
; http://profile.ak.fbcdn.net/

International Journal of Art, Culture and Design Technologies (IJACDT)

November 9th, 2011

LOGO IJACDT

For those of you interested in smart textile and low cost wearables as an artistic context to engage young women in technology and engineering in education, feel free to check the International Journal of Art, Culture and Design Technologies (IJACDT), ISSUE ON CREATIVITY, INNOVATION AND TECHNOLOGIES CULTURES edited by Gianluca Mura (2011), p. 12-21. You can access the abstract here, or view a sample PDF here. The Guest Editorial Preface by Gianluca Mura, Politecnico di Milano University, Italy can be accessed here. You might as well like to refer the Journal (IJACDT) to a Librarian via this link.

The International Journal of Art, Culture and Design Technologies (IJACDT) links art, design, science, and culture with emerging technologies. IJACDT provides a forum for exchanging ideas and findings from researchers across the design, arts, and technology disciplines. This journal covers theoretical and practice experiences among industrial design fields, architecture, art, computer science, psychology, cognitive sciences, humanities, cultural heritage, and related fields. IJACDT presents different arguments within project culture from the historical, critical, philosophical, rhetorical, creative, pedagogic, and professional points of view.”

LOGO IJACDT

‘Mobile learning: Crossing boundaries in convergent environments’ Conference on call

November 1st, 2010

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Please find below the Call for Papers for the ‘Mobile learning: Crossing boundaries in convergent environments’ Conference, to take place over Monday to Tuesday, March 21st to 22nd, 2011 in Bremen, Germany:

The conference is hosted by the University of Bremen, run by the Department for Media Education and Design of Multimodal Learning Environments and by the Institute Technology and Education (ITB) in association with the London Mobile Learning Group (LMLG), Pontydysgu and MirandaNet.

The ‘Mobile learning: Crossing boundaries in convergent environments’ Conference builds on a series of mobile learning research symposia hosted by the WLE Centre for Excellence at the Institute of Education, University of London between 2007 and 2009. It will focus on the challenges of developing new pedagogic approaches and on the potential of mobile devices for learning in formal and informal contexts. As mobile learning is not only about learning with mobile technologies, but also considered to be “new” learning, the conference will look at challenges for research and practice in understanding the changing social and technological structures allowing the use of technology for learning that are present in our personal lives, in school and in work places. Thus mobile learning crosses the boundary of institutional learning and looks at practical fields like work-based learning and medicine, too. Also, the conference will look at the latest developments in hardware and software which can support personalised learning. By focusing on theory and practice, development and use, teaching and learning, formal and informal contexts, the conference intends to offer spaces for researchers, practitioners, developers, the industry and policy makers to exchange ideas, experiences and research around issues and approaches to mobile learning, including sociological and educational issues and their effectiveness and desirability as learning spaces as well as the design of environments.

The conference is preceded by the EduCamp, a BarCamp for people interested in media and learning, which will take place in Bremen from March 19-20, 2011. In collaboration with MirandaNet, the conference is running a MirandaMod on March 21-22, 2011 which addresses teachers and practitioners who are interested in teaching and learning with new technologies.

The call for papers and further information is available at the conference website: http://bremen.londonmobilelearning.net.

Important dates:
* October 31, 2010: submission opens
* November N.N., 2010: registration opens
* December 5, 2010: submission closes
* March 6, 2011: registration closes
* March 21-22, 2011: conference

We are looking forward to seeing you in Bremen.

The Organising Committee
Klaus Rummler (LMLG; University of Bremen, FB12, Department for Media Education and Design of Multimodal Learning Environments)
Judith Seipold (LMLG; Bremen)
Prof. Karsten Wolf (University of Bremen, FB12, Department for Media Education and Design of Multimodal Learning Environments)
Dr. Norbert Pachler (LMLG; Institute of Education, University of London)
Dr. Eileen Lübcke (University of Bremen, Institute Technology and Education (ITB))
Graham Attwell (LMLG; University of Bremen, Institute Technology and Education (ITB))

text via Klaus Rummler, photo via conference Web site

Migrating:Art:Academies final conference

October 9th, 2010

MigAA

Presented by The European School of Visual Arts (EESI), the Academy of Media Arts in Cologne (KHM) and the Vilnius Academy of Arts (VDA)

Migrating:Art:Academies:

Conference – 15-16 October 2010, 13:00 – 18:00
Exhibition opening – 14 October 2010, 19:00
Exhibition – 14-16 October 2010
Opening times – daily between 10:00 – 19:00

Collegium Hungaricum, Dorotheenstrasse 12, Berlin

The two-year project Migrating Art Academies (MigAA) comes to a close with its Laboratory V Migrating:Art:Academies:. This exhibition and conference, organized in cooperation with Collegium Hungaricum Berlin, will map the territory around an ensemble of new and innovative forms of creative practice. During MigAA students from the European School of Visual Arts (EESI, FR), the Academy of Media Arts in Cologne (KHM, DE), and the Vilnius Academy of Arts (VDA, LT) traveled in Media RVs (recreational camping vehicles) throughout Europe, engaging the local cultural and environmental milieu, and creating art works “on the road.”

“The wealth of Migrating Art Academies was unanimously proclaimed by both the participants and by those who they encountered in the course of the project. This creative experiment was also an excellent educational laboratory and such laboratories undoubtedly play a critical role in a time of European-wide reforms in art education” â?? says Sabrina Grassi-Fossier, the MigAA coordinator and director of European School of Visual Arts, Angouleme/Poitiers.

The combined MigAA exhibition and conference does not claim to be a full picture but rather a presentation of life-sketches, fragmentary practices, and evolving processes. These active threads together chart a new territory for learning that turns away from most traditional academic strategies. This open event is meant to critically address this new approach and to open it up for public dialogue.

On Thursday, 14 October, Migrating:Art:Academies: will open with an exhibition of works by more than thirty students from the three European art academies at the Collegium Hungaricum Berlin. The selected projects, developed during the four consecutive MigAA laboratories in Berlin, Vilnius, Linz, and Royan, range from drawings and maps to installations and interactive works.

The laboratory will also present a 300+ page reader as a summary of the two years of distributed and mobile research. The book, divided into three essential parts – Migrating:, Art:, and Academies: – serves as a navigation supplement for the exhibition and the conference as well as the overall project.

The conference will take place on Friday and Saturday, 15 – 16 October and is divided into four panels: Migration, Education, Technology, and a final Round Table session with the participating students.

Friday, 15 October
13.00 : Migration panel
16.00 : Education panel

Saturday, 16 October
13.00 : Technology panel
16.00 : Final Round Table

About Migrating Art Academies

Migrating Art Academies is an ongoing joint educational project of three European higher education institutions: the European School of Visual Arts (EESI, FR), the Academy of Media Arts in Cologne (KHM, DE) and the Vilnius Academy of Arts (VDA, LT). Its primary purpose was to research and develop a progressive model of education that combines new and innovative forms of creative practice, collaboration, cooperation, and production. For the duration of the project, students had the possibility to work in an autonomous zone situated between virtual and real worlds, as well as between their normal home environment and new, unfamiliar places. The students investigated and engaged the local environment at the same time as developing creative projects in response to their experiences. The MigAA project is financed by the European Commission Culture Program 2007-2013. For more detailed information, please visit: http://www.migaa.eu/.

The conference language is English. Admission is free.

Migrating Art Academies team:
Mindaugas Gapsevicius (top e.V.), Sabrina Grassi-Fossier (Coordinator, EESI), Jonas Hansen (KHM), Žilvinas Lilas (KHM), Alvydas Lukys (VDA), Sylvie Marchand (EESI), Vaclovas Nevcesauskas (VDA), Martin Rumori (KHM).

Online, e-mail, or telephone pre-registration is available and highly recommended until 10 October.

Contact person:
Mindaugas Gapsevicius, Tel. 0179 5462260
press@migaa.eu

Leonardo@Ars Electronica 2010

August 21st, 2010

ARS 20010 LOGO

This year’s Leonardo@Ars Electronica 2010 symposium focuses on the dual issues of interdisciplinary research in art, design, science and technology as well as relevant models of PhD degree studies. It is organized as a public event for media and art educators, teachers and researchers to take place on September 6 at the University of Art and Industrial Design, Hauptplatz 8, 4020 Linz, A&B rooms (see here for venue). The symposium is coordinated by Nina Czegledy, Leonardo/ISAST and Dr. Daniela Reimann, KIT, in collaboration with Prof. Dr. Angelika Plank, University of Art and Industrial Design, Linz and in conjunction with Ars Electronica. Please find below the preliminary program:

10.00
Welcome. Prof. Dr. Angelika Plank, Head Departments of Art Education and interim of Media Design /Teacher Training Program, University of Art and Industrial Design, Linz

10.15
Greetings: Representative of the Federal Ministry of Education, Arts and Culture

10.30
Welcome: Nina Czegledy on behalf of Leonardo/ISAST

10.40
Introduction: Educational research and new models of knowledge transfer.
Nina Czegledy, KMDI University of Toronto, Concordia University Montreal

11.00 DI Christopher Lindinger, Ars Electronica Futurelab, Visiting Professor Media Design/Teacher Training Program, University of Art and Industrial Design, Linz Future Elevation

11.30 Dr. Daniela Reimann, Karlsruhe Institute of Technology KIT, Institute of Vocational and General Education, KIT-focus “Humans and Technology”, researcher, and consultant of the Media Design/Teacher Training Program, University of Art and Industrial Design Linz:
Crossing the borders of arts, science and technology in education

12:00 Prof. Dr. Jillian Scott, Head Head, Karmen Franinovic, The Zürich Node of
Plymouth University in the Institute of Cultural Studies, Zürich University of the Arts
- www.z-node.net

12.30 Lunch Break

13.30 Dr. Lanfranco Aceti, Associate Professor, Contemporary Art & Digital Culture Sabanci University, Istanbul, Artistic Director and Lead Curator ISEA2011, Istanbul:
Transmediation of content and people across disciplines: The challenges of hybrid teaching and Hybrid Students.

14.00 Karen Lancel, artist and educator, HKU Utrecht, Academy Minerva, Groningen
currently developing a policy paper on practice based PhD studies. New parameters
for an online practice based phd.Case study: TELE TRUST

14.30 Michael John Gorman, Founding Director of Science Gallery at Trinity College Dublin:
The Art-Science Interface and the public face of the research university: Lessons from the first two years of Science Gallery at Trinity College Dublin”

15.00 Open discussion.

15.30 Closing Remarks

16.30 end of session

Symposium Abstract
An increasing need is manifested to develop new curricula informing innovative qualifications, new job profiles in the field of media design research and education, that is design inspired research, and design strategies including a research approach.
Working towards a sustainable convergence between educational research in design, science and technology remains a burning issue. The introduction of new forms of art practice and design at the intersection of media, arts, science and technology requires the introduction and application of distinguished qualification for educators. Yet in several European countries PhD degrees are not yet available in media arts and interdisciplinary studies.

What kind of new art genres are being developed by artists’ creative use of mixed media technologies, visual culture and communities and what is their impact on education? How is design research and education being embedded in the new modular curricula structures? What are the most effective elements of curricula to educate artists as well as art teachers for the future? Media design today is not only a means for research, but also an overall approach towards research shaping new possibilities opening up through design, design research (Laurel, 2004) as well as learning through (game) design (Kafai, 1994). The artistic aspects of interaction have been gradually explored and implemented within the framework of Interface Culture by Sommerer and Mignonneau (2008). An emerging tendency towards research orientation can be also observed as a broader trend in the field of arts and design. Interactive media art is blurring disciplines and has been reflected as a means to trigger and inspire creative processes in education (Reimann, 2006). The tool of design as social intervention is also becoming a hot topic for scholarly research as well as applied studies.

The changing media and art education institutions require an interactive debate on the conditions and evaluation criteria for developing new models for institutional networks and qualifications that allow implementing the media arts across curricula structures. Thus the symposium investigates through international presenters and open discussion the increasingly important issues of interdisciplinary research and higher teaching qualifications, including the initial art and design teacher training programs.

Aims and objectives:
To inspire an open discussion by educators and the public on burning issues towards developing an international dialogue.

For updates please access the Ars Electronica Web site here or the Web site of the Media Design Teacher Training @ the University of Art and Industrial Design for program details.

Please find the Web site of Ars 2010 here at:
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